F4: Recorded... at Great Linford Manor, March/April 2000 / Mixed... at The Fallout Shelter, May 2000 / B-Side to Good Fortune, 2000 G1: Recorded... at Great Linford Manor, March/April 2000 / Mixed... at The Fallout Shelter, May 2000 / B-Side to Good Fortune, 2000 I4: Performed, Recorded and Produced... in Dorset, 2002 / ℗2022 PJ Harvey under exclusive license to Universal Music Operations Ltd. / Previously unreleased L2: Recorded in Dorset, February 2012 / Originally appeared on Shane Meadows' The Virtues for Warp Films/Channel Four, 2019 Following her departure from Automatic Dlamini in January 1991, Harvey formed the PJ Harvey Trio. The trio, which included Rob Ellis and Steve Vaughan, released Dry in 1992 on the independent label Too Pure and later released Rid of Me in 1993 on major label Island. The trio split in late 1993 and Harvey continued as a solo artist under the same name. In 1995, she released To Bring You My Love, often considered to be her mainstream breakthrough, [1] and the album charted in twelve countries worldwide upon its release. Between To Bring You My Love and its follow-up, Is This Desire? (1998), Harvey released the collaborative album Dance Hall at Louse Point (1996) with John Parish. Her fifth album, Stories from the City, Stories from the Sea, was released in 2000, received the Mercury Music Prize in 2001 [2] and was considered by critics to be her magnum opus. [3] In 2004, her sixth album, Uh Huh Her, was released and became Harvey's highest-charting album in the United States, peaking at number 29 in the Billboard 200. [4] In 2007, her seventh album, White Chalk, was released and in 2009, Parish and Harvey released their second collaborative album, A Woman a Man Walked By. In 2011, her eighth studio album, Let England Shake, was released and received the Mercury Music Prize, making Harvey the only artist in history to have won the award twice [5] and increasing record sales by over 1,100% overnight. [6]

Steve Albini’s recording of Harvey’s second album, 1993’s Rid Of Me, has been the subject of much critical circumspection. Like (another controversial Albini production) Nirvana’s In Utero, it favours pain over relief, volume over restraint. And since Albini is a master of the choreography of headbanging, there is a kind of poetic power in his rhythm of drills. But it’s a tough workout. H5: Performed, Recorded, Produced and Mixed... in Los Angeles, 1998 / B-Side to You Come Through, 2004 All songs... published by Hot Head Music Limited (ASCAP), administered by Kobalt Songs Music Publishing (ASCAP) except: Universal International Music B.V., 's-Gravelandseweg 80, 1217 Hilversum, Netherlands. Made in the EU.J4: Made... in Dorset April-May 2010 / Mixed at Assault & Battery... / B-Side to The Words That Maketh Murder, 2011 E1: Performed, Recorded and Produced... in Dorset, May 1996 / Taken from 1998 B-Sides promo-only release G2: Recorded... at Great Linford Manor, March/April 2000 / Mixed... at The Fallout Shelter, May 2000 / B-Side to A Place Called Home, 2001 F5: Performed, Recorded, Produced and Mixed... in Dorset, February 1998 / B-Side to Good Fortune, 2000

In the United Kingdom, five of Harvey's albums have been certified Silver, one certified Gold and one certified Platinum, [7] amounting to total sales of over 800,000 copies. In the United States, her albums have collectively sold over 1.5 million copies as of 2007, according to Nielsen SoundScan. [8] Albums [ edit ] Studio albums [ edit ] Title It’s quite a journey. By the end it’s clear that Harvey has learned how to turn the volume up by making less noise. Perhaps she always knew. One of the highlights is “Nina In Ecstasy 2”, a 1996 recording, released as a B-side in 1999. It’s a funereal fairytale, a hymn of innocence which segues into a chorus of “ Where’s your mama gone?” from the multi-million-selling anthem of child abandonment, “Chirpy Chirpy Cheep Cheep”. It sounds both serene and alarming, because sometimes the most dangerous place in Why D'Ya Go To Cleveland... published by Blue Raincoat Music Publishing/Reservoir/Hot Head Music Limited (ASCAP), administered by Kobalt Songs Music Publishing (ASCAP)If reinvention is a virtue, Harvey is a saint. The box set presides over three plus hours of archival material, featuring PJ Harvey from every era, every style, and in every persona. Long-time followers of PJ Harvey will recognize this important distinction; her ability to transform herself places Harvey in the rarified air as one of music’s true masterminds. Nearly every PJ Harvey album manifests a different auditory and lyrical chimera. This is not to say Harvey is a chameleon – never does she disappear into her surroundings; she’s the 50-ft queenie ruling the kingdom. D1: Recorded in Townhouse Three, Battersea, September/October 1994 / B-Side to Send His Love To Me, 1995 C1: Recorded in Townhouse Three, Battersea, September/October 1994 / B-Side to Down By The Water, 1995 Personally, I'd love to see both: actually unreleased songs (of which PJ Harvey has plenty of) and an official live record, as it is live where some of her songs take their final form (Driving, M-Bike, Hardly wait, Evol, Uh huh her) - there's also songs and covers she's only performed live like Will's song, Straight, Shake your hips, Shot of love and more.

The collection also features previously unseen archive photography by Maria Mochnacz, with mastering and vinyl cutting by Jason Mitchell at Loud Mastering under the guidance of long time PJ Harvey producer John Parish.

Companies, etc.

B3: Recorded... at The Ice House, Yeovil and The Yard House, Milborne Port, Somerset, 1993 / B-Side to Man-Size, 1993 I J5: Made... in Dorset April-May 2010 / Mixed at Assault & Battery... / B-Side to The The Glorious Land, 2011